This is the beginning of my contribution to The Writers in the Storm blog this month. I share my understanding of Robert McKee’s Forces of Antagonism and how I use those forces as the frame of a story.
In constructing a story, I am both a pantser and a planner. I plan the frame of a story, then place the characters in that frame and discover what they will do in that situation. It’s taken years for me to figure out a method that works for me. I share it here, not so you have a blueprint to borrow, but to illustrate one way to build your own frame. As I explained last month, the first step in building a story’s framework is the story sentence. The next step I take is to decide on the Forces of Antagonism that will best express my story.
I first came across the idea of forces of antagonism in Robert McKee’s book, Story. No disrespect to Mr. McKee, but I didn’t get it at all. I had a more narrow definition of antagonist that I conflated with the word antagonism. Plus, his terminology didn’t resonate with me. In fact, I barely understood what he was saying. Then a friend reintroduced me to the concept.
Forces of Antagonism
… the principle of antagonism is the most important and least understood precept in story design.” Story, by Robert McKee
The first part of the principle is easy. It’s about people. Humans conserve energy, all kinds of energy. It’s part of our DNA. If we see two choices ahead of us and one seems easier than the other, most of us will do the easier thing. We avoid taking risks, if we can.
Mr. McKee explains “the principle of antagonism is that a protagonist and his story can only be as intellectually fascinating and emotional compelling as the forces of antagonism make them.” He says the more powerful and complex these forces are, the more completely realized the character and story must become.
If you’re like me, you read antagonism and think antagonist. Most likely you are thinking of a single person or group who will oppose your protagonist. But that’s not quite right.
The Frame of a Story
Read the rest of this post and learn about the principle of Antagonism, how I interpret the four forces, and how I use them as the frame of a story so I can be both a planner and a pantser on The Writers in the Storm.
Enjoyed both this post and your guest post on Writers in the Storm. Years ago, I read McKee’s book, Story, and struggled with it. I didn’t get the negation of the negation either but thanks to you, now I do.
Thank you, KM. I’m super glad you found it helpful. Have a wonderful day!