First Lines from Finalists for the 2026 Hugo Award

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First Lines is a series of blog articles posted around the first of the month. With examples like these, I hoped to inspire myself and other writers to write the better first lines. I also hoped to inspire and point readers to books they might enjoy.

This Month’s Focus

This month we’re celebrating the announcement of the 2026 Hugo Award Finalists. The lines in this post are from the novel category of awards. Try them. Maybe one of these will hook you. No guarantees. After all, the hookiness of the first lines is in the eye of the beholder. 

Inspired by a friend’s suggestion that I write a post on how to write the first line of your story, I started this series. My idea was to inspire my writing

What is The Hugo Award?

Science fiction’s most prestigious award, first presented in 1953, is voted on by members of the World Science Fiction Convention (“Worldcon”). It has been presented annually since 1955.

According to The Hugo Awards website, “the Hugo Awards are trade/service marks of Worldcon Intellectual Property (WIP), a California non-profit corporation managed by the Mark Protection Committee (MPC) of the World Science Fiction Society (“WSFS”), an unincorporated literary society which sponsors the annual World Science Fiction Convention (“Worldcon”) and the Hugo Awards.”

How are The Hugo Awards Chosen?

Each year members of the Worldcon are allowed to nominate up to five people or works from the previous year. There are three main types of award categories: individual works (book or film), people (Best Professional Artist, Editor, etc), and serial publications (Best Fanzine, etc.) There are a total of fifteen subcategories.

The Hugo Awards are labeled for the year they are presented, not for the year in which the works were published. See the official site of The Hugo Award for the complete rules. 

This year it’s reported that there were 1,488 valid nominating ballots received and counted from members of the 2025 and 2026 World Science Fiction Conventions for the 2026 Hugo Awards. 

Voting on the final ballot will open during May 2026. 


The Finalists (in no particular order):

A Drop of Corruption:

An Ana and Din Mystery, Shadow of the Leviathan

by Robert Jackson Bennett

Before there was memory, before there was history, there were the leviathans: the colossal, monstrous creatures that lumbered ashore, each wet season and went wandering the plains, bringing death and panic with them. For centuries, the folk of the land lived at their whim, and knew only fear and suffering.

Then the people of the valley of Khanum learned the secrets of shaping flesh and root and branch – secrets rendered from the blood of the leviathan.

They altered their bodies. They made themselves brilliant, and strong. And when they emerged so transformed from the shadows of that valley, they began to change all the world before them. 

First, they devised methods to bring down the leviathans. Then they conquered the petty tyrants, who ruled the highlands where the leviathan could not venture. And thus, the Empire of Khanum was born.

Cover of A Drop of Corruption is a black background with silver/light gray embelishments of a victorian-like frame a silver leafy plant in the center with the plant stems reaching down and dissolving into an open hand as if the plant's roots are the veins in the hand. Across the plant the title appears in black shapes starting with the word a in a circle, below that is a ribbon graphic with the word drop in it followed by another circle around the word Of and the word corruption is in an arched ribbon graphic. Silhouettes of a man and a woman stand in each corner of the silver frame, there is text in rectangular boxes below the triangles in each corner and horizontally across the top and bottom, across the top in those rectangles it reads "nationally bestselling author," across the bottom it reads "Robert Jackson Bennett.  Along the edge of the poine is a trail of blue and green flowers a small trail of them curl up along the central image from the open edge of the book.

The Everlasting

by Alix E. Harrow

It begins where it ends: beneath the yew tree.

The yew stands in the wood, like a great queen, grown old, limbs wrapped with age, head bowed by the weight of her crown. In the gnarled grain of her trunk there is a woman’s face, with weeping canker for eyes, and in her heartwood there is a sword driven so deep that only the hilt is still visible. You already know the name of that sword, I think; who doesn’t?

They say time runs strangely, beneath the yew. They say many things are lost there, among the tangled roots: years, hearts, lives. But they say, two, that some things are found: fates and fortunes, beginnings and endings.

And, once, a child. You know her name, too, or at least one of them.

The cover of the everlasting has a black background with a central layered image with the title and author name overlaying the images. The furthest back images are half rounds of a color gradient from teal-maroon at the top, 3 half-rounds are stacked in a row and covered by a gold vine with red, orange, yellow, purple, dark and light blue flowers and butterflies. In the center and nearest the camera image is a sword with a human face partly revealed within the sword, the person's eye in the intersection of the blade and the pummel.

The Raven Scholar,

Eternal Path Trilogy Book 1,

by Antonia Hodgson

Once they made sacrifices here, to appease the Eight. This was many thousands of years ago, but the rock remembers. There was a modest temple on the hill, with views across the island, and worn stone steps leading up to a plain stone slab. Now there is a palace with golden halls and floors of white marble. Lustrous silk tapestries hanging from the walls, telling intricate stories of love and war, and the death of tyrants. The air is lacquered with incense, rich and heady.

This is where my father died.

Yana Valit walked beside her twin brother Ruko, willing herself to stay calm. The emperor had no reason to hurt her; she had done nothing wrong.

Nothing he could know about.

The cover of the Raven Scholar has a purple background with a white line drawing against a royal purple background. The line drawing is of a raven's head and neck that reaches from the spine nearly to the opposite edge. The head arches over the title in white letters. The raven's claws are reaching downward from about the mid-section of the spine edge and touch the first letter of the author's name. There is a simple double line frame around the edges in a gold tone. Between the title and the author's name are two quotes that read "Fiendishly charming and clever"--Tasha Suri, "A labyrinth of a book with a deeply human heart. I'm obsessed." Alix E. Harrow

Death of the Author

by Nnedi Okorafor

What’s the story you want?

Honestly, I don’t see it. Even after everything, Zelu will always be just Zelu to me. What do you think she is – it’s all made up. Life is short. Fortune is fleeting. Fame is just swirling dust. It’s people dreaming and perceiving while they say your name like it’s some tangible object, but it’s not. A name is just a name. A sound.

What matters is family. Without family, you’re nothing. Your debris tumbling through space. Unseen, unconnected, uncollected, unknown, no matter how famous you are.

Zelu will always be part of our family. She will always be my sister. No matter what. Oh, it’s been rough. The fact that is that Zulu never really cared about family. Zelu had to do her own thing.

The cover of Death of the author a novel Nenedi Okorafor has the title in white over the profile of a young black woman with her hair in multiple braids that arch over her thin shoulders. Behind the woman is a tapestry of bright and dark orange alternating with rows of teal shapes that look something like knots along a string

Shroud

by Adrian Tchaikovsky

Prologue

The couch’s design had been cribbed from those on the Garveneer, which had cushioned everyone’s sleeping forms while the ship accelerated through the interstellar void, so it was considerate enough to wake me up after impact. Conscientious as a servant. Or a doctor. Waking me into pain and darkness. The sour residuum of all the terror and panic I’d been caught in the throes of before I blacked out.

Everything hurt. Out of the chorus, specific pains spoke up. I was a mess of discreet bruises, like I’ve gone three rounds with a pugilism automatic. But beyond that, everything hurt me. The world pressed on me with such universal force I wondered, Are we traveling? Are we still accelerating? As though I was still in the ship.

The cover of Shroud has a black background with red, yellow, and white line art. Red lines streak from the top left corner of the book nearly to the right bottom corner but before it quite gets there it ends in a round yellowish space ship with a round portal and several fin like projections starting at the portal. Aound the space ship are jagged white lines as if the ship has shattered something or perhaps landed in a range of sharp-peaked mountains.

The Incandescent

by Emily Tesh

Dr. Walden looked glumly at the form she had to fill in. At the top, it said RISK ASSESSMENT.

She’d designed the form herself, in a burst of optimism. They would have fewer accidents, if people just stopped to think. It was an unfortunate truth that in the Venn diagram of single ‘qualified to teach magic’ and ‘still alive,’ the overlap consisted almost entire entirely of people who had always been much too sensible to accidentally get eaten by a demon. Walden’ colleagues – in particular, those who were her responsibility, the loosely grouped Faculty of Magic here at Chetwood School – possessed, as a body, an admirable and well-judged lack of imagination. In the three years since she took the post as Director of Magic, she had had someone in her office once a term to weep on her shoulder and say, but why would anyone ever –”

The cover of The Incandescent is black with line art depicting a flying phoenix over a line drawing representation of orbits and stars. The line art is in a color gradient from redish-orange in the bottom left to yellow-gold in the top right. The author's name is over the upper  right wing with  these words above the name: hugo award-winning author of some desperate glory. The title is on the lower left over part of the left wing and the phoenix's tail. Below it reads: "A scaringly brilliant fantasy. This is magic school with teeth." Tasha Suri, award-winning author of THe Jasmine Throne.

Do You Want to Read More?

Do these first lines hook you? Do you want to read more? They are here for your enjoyment. And to entice you to buy more books. Let me know which ones sparked your interest.

Remember Reviews Don’t Have to be Difficult

No matter what book you’re reading, leave a a few words on the site where you bought it, a readers site, or the author’s site. Just say the kind of thing you would tell a friend about it. If the book is not a genre or type of book you normally enjoy reading, consider saying that in your review. Honest reviews are always appreciated by writer and readers alike.

Like this post? Check out previous First Lines posts


Resources

Locus Magazine 

The Hugo Award

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