Whether you write by the seat of your pants (a pantser) or you have a detailed outline (a plotter), or anywhere anywhere on the line in between, you’ve likely gotten stuck in your story. That’s disconcerting at the best and devastating at the worst. The story comes to a screeching halt and you beat yourself up. Yes, this happens to plotters sometimes. Unfortunately, it happens to pantsers more often than not. But don’t worry. There’s a way to solve or prevent most stuck-in-the-middle events. Use goals & obstacles to fascinate your readers.
Goals
In story writing, a goal is what your main character wants. It might be the blue ribbon in the county fair or to save the world from a weapon of mass destruction. But you knew that, didn’t you? So why am I harping on it?
And it isn’t just a want. It’s a need. To fascinate your reader, the main character’s want must mean something. It doesn’t have to be a theme-heavy, my-soul-will-be-destroyed type of meaning. But if your character does not achieve their goal, they lose something valuable. This irrevocable loss changes the principal character’s life for the worse (at least in the character’s estimation). A high schooler believes with his whole being that if he doesn’t win the football game and impress the recruiting agent, his life is ruined forever. That can make for a page-turning story.
More About Goals
The more concrete you can make the goal, the clearer it will be for the reader. How do you know your goal is concrete? By asking yourself, can the character take a picture of it?
You can add a layer to goals and make the story deeper, more complex.
Add a Layer
To deepen the story, you can add a layer to the character’s goal by making it misunderstood. What the character THINKS she wants and what she NEEDS to avoid that sense of loss are two different things. In the high school football player above, what if he’s suffering from a chronic illness that will eventually destroy his ability to walk? He may think he wants the memory of the football victory to sustain him, but what he needs is to learn to cope with his illness. And when he loses the football game but gains a new understanding of how he can live and be happy, it will be a satisfactory ending.
But even if the path to a goal isn’t straight, it isn’t interesting, Use goals & obstacles to fascinate your reader.
Obstacles
Most how-to write instruct you to have lots of conflict in your story. But that word has connotations and meanings that confuse many of us. What it really means for a story is to prevent your character from achieving their goal. Set obstacles in their path. Obstacles can be a person (or persons), a place or environment (nature), or the character herself.
In a successful story, there is usually a single major obstacle, often a person we like to call the bad guy or the antagonist. Initially, the bad guy has all the control. It’s the bad guy’s moves that cause the protagonist to react, to choose an alternative path. And the bad guy hones in on the main character’s flaws with every obstacle he throws in the path to success.
More About Obstacles
Vary the obstacles your character must overcome. How do you do that? With subplots. One subplot could be the foul weather on the last day of practice that causes a temporary injury or maybe the opposing team kidnaps the main character and dumps him in a location so he can’t possibly get to the game on time. Almost any subplot will work. Though it will have more impact if it’s at least tangentially related to the want and need.
If the character does not overcome many obstacles, the story isn’t satisfying. And if the obstacles are all the same, the story isn’t satisfying. If at least one obstacle doesn’t make the character back up and try again, the story isn’t satisfying.
A successful, satisfying story is one that keeps throwing obstacles in the character’s attempts to get what they want. The obstacles make the character work to achieve their goal. The harder the character works at achieving his goal, the more satisfying the story ending.
More Than One Path
Still in the dark about goals & obstacles? Read Conflict: Twist the Knife Slowly. Or search KM Weiland’s website helpingwritersbecomeauthors.com. You might want to start with The #1 Way to Write Intense Story Conflict.
Fascinate Your Readers
The most successful stories all use goals & obstacles to fascinate the reader. Don’t believe me? Take your favorite stories and analyze them.
You and your imagination are the magic idea generator. But your magic story engine is the push—pull, the try-fail, the never-quite-successful moves toward an important goal. First drafts are supposed to be messy. That’s okay. Fine-tuning is for the rewrite process. For this first draft, use goals & obstacles and you’re well on the way to fascinating your reader.
