The Daughter of the Desert

The story of the dashing British officer, known as Lawrence of Arabia, credits him with leading the Arab revolt against the Turks during World War I. He’s a legend of history. Yet, there is another whose story we should know. The “Daughter of the Desert,” Gertrude Bell, made archeological, sociological, and political contributions to history. Significant enough, we should recognize her name along with (or more than) Lawrence of Arabia’s. Yet, history forgot or overlooked her story, a woman’s story, for years.

Early Life

Gertrude Margaret Lowthian Bell, CBE, was born on the 14th of July 1868 in Washington, England. She had the good fortune of being born into a wealthy British family. Her grandfather was the Ironmaster Sir Isaac Lowthian Bell (1816-1904), an industrialist and a Liberal member of Parliament. Her father, Sir Hugh Bell, 2nd Baronet, (1844-1931) was a progressive capitalist and mill owner. He made certain his workers were paid fair wages and had paid sick days. Her mother, Maria (née Shield) Bell, died after the birth of her second child, Gertrude’s brother, Maurice. Gertrude was three.

Gertrude’s father married Florence Ollie, a playwright and author) when Gertrude was seven. Florence eventually gave birth to Gertrude’s three half-siblings, Hugh, Florence, and Mary3. Gertrude, already close to her Father, grew close to her step-mother as well.

She was outspoken and independent and enjoyed horseback riding, among other activities. Her father and stepmother realized Gertrude wasn’t like the other girls. When she wasn’t reading or writing, she engaged in various “naughty behaviors” like scaling cliffs and other heights3. Unlike the parents of most girls of her class, who were tutored at home, her parents sent Gertrude to school.

Education

At first, fifteen-year-old Gertrude was unhappy at Queen’s College, a girl’s school in London. But her insatiable appetite for learning helped her adjust. She excelled at her studies. 

Normally, at seventeen, girls in her class were presented at court and introduced to society. Society expected them to find a husband within three seasons. 

Gertrude completed her schooling at Queen’s College in 1886 and asked her father for permission to continue her studies at Oxford, which had recently allowed females to be included in certain programs. She first met T. E. Lawrence (Lawrence of Arabia) during her studies there. In 1888, she was the first woman to graduate in Modern History at Oxford. Hers was an honorary degree. Only males received academic degrees.

Social Life & Travel

She went to Bucharest with her uncle, Sir Frank Lascelles, and his family. Visits to Paris and other European cities followed. 

From 1890 to 1892, she made the rounds of London’s balls and banquets where young ladies met eligible bachelors, but didn’t find her match.

Gertrude’s uncle, Lascelles, became British minister at Tehran, Persia (Iraq). She joined him in May 1892, where she studied the Arabic and Persian languages. Describing Persia as “paradise,” Gertrude spent six months there and wrote a book, Persian Pictures, about her time there.

She took advantage of her privilege and family wealth to travel widely. Her travels include a world tour with her brother Maurice and a trip to Italy with her father. During her Alpine climbing adventures, she recorded ten new paths or first ascents in the Bernese Alps. Once she suffered frostbite after she and her guides clung to a rope on the side of a cliff for forty-eight hours during a terrifying storm of snow, hail, and lightning. 

Gertrude traveled to Turkey, Germany, and Jerusalem. She visited ancient sites in Syria, Lebonon, and Athens. All the while, she studied languages. She mastered Arabic, Persian (Farsi), Italian, French, German, and Turkish.

She Loved the Desert

But the Mesopotamia was the area she returned to over and over. She hired a guide, Fattuh, who became her confidante.

Throughout her travels to the desert, she learned about the people and cultures, established close relations with inhabitants and tribes. Being a woman, she could meet the wives and daughters of local notables. She didn’t take as much advantage of this as she might have. Her principal focus was meeting the shaikhs and leaders of Arab society.

Love Life

It was in Tehran that she met one of her uncle’s secretary, Henry Cadogan. She and Cadogan bonded over their love of poetry by Hafiz. They spent a lot of time together and eventually announced their engagement. Unfortunately, Cadogan was poor and in debt. Gertrude’s father would not approve the match. She returned to England to convince her parents to give their permission for her to marry Cadogan. While in England, Cadogan had died of pneumonia2 in 1893. Gertrude was heartbroken. She left England for Italy and Switzerland.

Her second chance at love came fourteen years later. She met the married British officer, Charles “Richard” Doughty-Wylie, in 1907. They never acted upon their feeling but exchanged letters expressing deep devotion to each other. He was killed in action at Gallipoli in April 1915. 

Some claim Gertrude, not Mrs. Doughty-Wylie, laid a wreath on his grave in November of that year.

Writing & Photography

In 1886, Gertrude published Persian Pictures, a photographic account of her trips to the Persian area. 

She published a book of poems translated from Persian to English, The Divan of Hafez, in 1897. It continues to be regarded as the best translation of that poet’s work in existence3

During her first solo journey through the desert in 1899, she photographed ancient sites, including Petra, Palmyra, and Baalbek. Once she learned photography and how to develop her photographs, she always took her camera and photographic equipment on her trips. Some of her photographs are the only remaining evidence of some antiquities that were destroyed later. 

Funding

Her grandfather died in 1904 and left her a large inheritance. She used the money to fund an archeological trip through the Near East. During the latter part of that trip, she hired Fattuh, her guide and confidante who traveled with her through the desert for years. 

In 1907, she published Syria: The Desert and the Sown, a book of her photographs and observations about the Middle East. She explored and mapped a swath from the remotest parts of Syria to the Persian Gulf. 

She co-wrote The Thousand and One Churches with Sir William M. Ramsay in 1909.

She published Amaranth to Amaranth in 1911 and The Palace and Mosque of Ukhaidir: A Study in Early Mohammadan Architecture in 1914.

Archaeology

A black and white photograph of the Gates of Ha'il taken by Gertrude Bell. The wall with it's open gate looks similar to a castle wall only with tooth-like projections from the top of the wall. To the left is a tall rectangular wall with small square windows. The top of the building has the same style projections on the top. To the right the wall bends at a forty five degree angle then turns op degrees and continues off the picture. At some distance behind that turn is a conical tower like structure. There are people standing in front of the wall near the open gates but they are too distant to see distinctly.

Gertrude met archaeologist David Hogarth in Italy during a trip there with her father. It was then she began an in-depth study of Greek antiquities3.

In Binbirkilise, she worked with Sir William M. Ramsay, an archeologist and New Testament scholar. Gertrude, Ramsay, and their staff excavated destroyed churches and buildings from the Byzantine era. 

Also in 1909, in the Hittite city of Carchemish, Gertrude met art historian Josef Strzygowski. He believed that Near East art, architecture, as well as religious and cultural concepts, influenced those of Europe. She worked with him on in writing about the influence of Armenian architecture on Europe.

It was also in Carchemish that she met her old school friend T. E. Lawrence again. Their friendship rekindled. They exchanged letters for years.

In 1909, Fattuh led her to the Fortress of Al-Ukhaydir (c750-775 CE), which no Westerner had yet seen. Gertrude mapped, measured, and photographed Ukhaydir. She wrote home about how her discovery would make her name a recognized archeologist2.  On her return, she visited archeologist Robert Koldewey’s site and team at Babylon. She told them of her discovery. Several of them quickly went to the fortress, photographed it and published their work in 1912, beating her publication date of 1914.

World War I

In August 1914, the British entered World War I. The Ottoman Empire entered the war in late fall. After a highly placed friend’s recommendation, the British War Office asked Gertrude for her assessment of the situation in Ottoman Syria, Mesopotamia, and Arabia. Her response detailed her thoughts.

Gertrude volunteered with the Red Cross in France and England. She served as part of the Wounded & Missing Enquiry Department that coordinated communications about the wounded and casualties between army, hospitals, and worried families.

Drafted?

The leaders of the Arab Bureau summoned her to Cairo in November 2015. Headed by Colonel G. Clayton and Lt. Cmdr. David Hogarth (the archeologist and historian she’d worked with). T. E. Lawrence was also there. He had joined the Arab bureau in late 1914. 

As part of the Arab Bureau, she spent part of her time in British India, then in Basra. She joined the staff of Chief Political Office Perry Cox. She traveled the region from Basra to Baghdad, assessed the locals reactions, wrote reports, and drew maps. An unpaid position at first, it became a formal paid position in June 1916. She became the first and only female political officer in the British forces2. There was no established way to address females. They addressed her as Major Miss. She impressed many, others mocked her.

To win against the Ottomans, the British promised Sharif Hussein arms and advisers. They sent T. E. Lawrence to help conduct a guerrilla war against them, focusing on the railway. Later, David Hogarth credited Gertrude’s intelligence on the region for the success of the Arab Revolt. 

Oriental Secretary

On March 10, 1917, the British forces took Baghdad. Cox called Gertrude back to Baghdad and made her Oriental Secretary.

Despite a secret agreement in 1916 between the British, Italians, and Imperial Russians to divide the land between them, Gertrude argued for the free Arab state promised to Hussein. In April 1917, British Foreign Secretary Arthur Balfour issued the Balfour Declaration, which promised Palestine to the Zionist movement as an autonomous Jewish state. Hussein understood he would receive Palestine while the French thought it promised to them in 1916.

In late 1917, Gertrude stayed in the hospital for exhaustion.

The war ended November 1918. 

They assigned Gertrude to “sort out the Middle East Problem”. She wrote up an official report, “Self Determination in Mesopotamia” which detailed the creation of an independent state, Iraq. British officials didn’t believe the people were capable of self-government.

A New Country 

A black and white photograph of the sphinx in the background with members of the Cairo Conference on Camelback in the foreground. Gertrude Bell sits on a Camel between Churchill and Lawerence.

After the Iraqi Revolt in 1920, Gertrude and T. E. Lawrence suggested Faisal bin Hussein (r. 1921-1933), son of Sharif Hussein, be the King Western-friendly Iraq. The Cairo Conference of 1921 approved of this idea. It became Gertrude’s responsibility to advise Faisal I on how to govern. She encouraged him to preserve the history of Mesopotamia. In 1922 she helped Faisal establish the Baghdad Antiquities Museum (now the Iraq Museum) with artifacts donated from her own private collection. She drew the boundaries of the newly founded country, which also established the boundaries of Jordan and Saudi Arabia.

Many of her friends left Iraq in the early 1920s, including Percy Cox. Gertrude stayed on as the Oriental Secretary when Henry Dobbs became the new High Commissioner. But Dobbs consulted her less frequently than Cox. She was no longer consulted as much by Faisal, either. This may have left her depressed.

By 1925, she returned to England with severe health problems for a brief stay. 

The war and subsequent coal strikes had exhausted her family’s fortune. They planned to move out of their mansion to reduce costs. About that time, Gertrude returned to Baghdad.

She developed pleurisy soon after.

Death

On July 12, 1926, her maid discovered Gertrude dead of an overdose of allobarbital sleeping pills. It is unknown whether it was an accidental overdose or intentional suicide. She had asked to be awakened in the morning, but she’d also made arrangements for her new dog to be looked after and had written to her mother about how lonely she was. 

A large crowd attended her funeral. King Faisal watched the funeral procession from his balcony. They buried her in the Anglican cemetery in Baghdad’s Bab al-Sharji district4.

Legacy

Gertrude Margaret Lowthian Bell, CBE, left an astounding legacy. The boundary lines of Iraq that she drew remain today. Her work documenting archeology in the desert is priceless by many. Scholar, author, translator, and adventurer, Gertrude’s books, military documents, and personal letters remain fascinating. 

Dedicated to her memory, a stain glass window is in St. Lawrence’s Church, East Reunion, North Yorkshire. 

In the 2010s, John Miers, the cartoonist, and a team from Newcastle University released a comic book version of her life.

An exhibit at the Kirkleatham Museum in Redcar memorializes her family home. 

Newcastle University’s Gertrude Bell archive was added to UNESCO Memory of the World Program in 2017.

A new genus of wild bees discovered in Saudi Arabia were named Belliturgula najdica to honor her.

Films that include portions of her life include: A Dangerous Man: Lawrence of Arabia (1992), the film, Queen of the Desert (2015), chronicles her life (though not all of it is factual), and the 2016 documentary, Letters from Baghdad

Besides the books Gertrude wrote, her step-mother curated and published the first of two volumes of Gertrude’s correspondence in 1927.

Final Thoughts

The Daughter of the Desert is an address some Arabian people gave Gertrude. She may not have been born there, but she cared enough about the area to spend much of her time and energy there.

This blog post, though long, doesn’t truly do justice to her work and influence. Her mix of interests, her zest for adventure, her willingness to buck the system, made her an amazing woman of history. 

If you liked this post, you may like my other posts about women of history.

Had you heard of Gertrude Bell before? Did you know she was a contemporary of Lawrence of Arabia?


References:

1. “The Controversial Story of Gertrude Bell, the British Desert Queen of Iraq,” Yesterday is History.

2. “The Woman Who Made Iraq,” The Atlantic.

3. World History.org 

4. https://en.wikipedia.org/wiki/Gertrude_Bell

Image Credits:

  1. Eight yr old & father : Edward Poynter, Public domain, via Wikimedia Commons  
  2. Bell & Fattuh outside a tent, Public domain, via Wikimedia Commons 
  3. The Gates of Ha’il, Gertrude Bell (1868 – 1926), Public domain, via Wikimedia Commons
  4. Under the face of the Sphinx and from left to right : Winston Churchill, Gertrude Bell and T.E. Lawrence Image by GM Georgoulas,  via Wikimedia Commons 

Your Enthusiastic Chaos is the First Step to Creativity

Many people rate creativity as something “different,” something “someone else” has, or a “natural” ability they were born without. They rate a specific creative form as art and other forms of creativity as work or producing product or not good enough. This kind of thinking minimizes the value of everyday creativity and elevates singing or dancing or painting (art) to an unattainable level. But creativity is a spectrum.

Image of colorful chaotic mosaic made of multiple different shapes of tile in no apparent order.

The Spectrum of Creativity

My post, “You Don’t Have to be an Artist to be Creative,” explains different ways you may be creative in your personal life and your business life. There are many, many more, more than anyone can count. Why? Creativity is a spectrum.

The spectrum is not from bad to good or untalented to gifted. It’s a nonlinear line with as many off-shoots as there are people in the world—probably more. Much more. 

Creativity is a natural extension of our enthusiasm.

Earl Nightingale

Think about that. The things you are enthusiastic about, whether it’s sports, or cars, or computers, or music, are areas along the spectrum of creativity. Each of those areas also has a spectrum. Not from bad to good, but from practical to fantastical, or from simple to highly detailed. And the “talent” you possess in each of these areas ranges from unused to highly original. It doesn’t matter where you fall in the spectrum. Where ever you are, there are skills you were born with and skills you learn and skills that are your unique twist on something. 

Unused Creativity

Few people can develop more than one or two areas of creativity. Those who cannot often interpret this as meaning they are not creative. Far too many people use a broad brush and abuse themselves by thinking this. They limit themselves and leave their creativity at the unused end of the spectrum. If you call yourself uncreative, change your way of thinking about creativity. Imagine what you could do if you leaned into your area of enthusiasm, your passion. Lean into your passion areas. 

From Chaos to Creativity

At first, when you follow your passion, your creativity in that area is chaotic. You may be unfamiliar with the guidelines or the tools that help your creativity make the leaps from what you know to what you create. As you read more about it, watch videos about it, play with it, your creativity is gathering the tools that will help you make that leap. Learning is also on a spectrum, from very rapid to very slow. Neither is good nor bad. 

There is another interpretation of from chaos to creativity. There are some that believe chaos causes creativity as we humans crave an order we can understand. Perhaps that is yet another spectrum for us. 

Open Yourself to Creativity

If there are only two things you take from this, I hope you broaden your definition of creativity in all its aspects and get rid of the idea of good and bad ideas or creations. Your creative output or the creation of another may not be to your taste or expectations, but that does not mean it isn’t an expression of creativity.  

If creativity is an extension of your enthusiasm, what are you enthusiastic about? 

Image Credit

Image by Hands off my tags! Michael Gaida from Pixabay 

References

https://www.arts.gov/news/press-releases/2018/arts-contribute-more-760-billion-us-economy

https://www.geenamatuson.com/blog/2019/8/creativity-is-a-spectrum-everyone-is-creative

The Rosa Parks of the Modern Trans Movement

Sylvia Rivera (far right in illustration above) hated labels almost as much as she hated discrimination. Of Puerto Rican and Venezuelan descent, she lived alone on the streets from the tender age of eleven. Despite her hard life, she rallied, protested, caucused, and got beaten and arrested for the inclusion and recognition of transgender individuals. Some call her the Rosa Parks of the Modern Trans movement.

Early Life

Born to a father from Puerto Rico and a mother from Venezuela in New York City on July 2, 1951, assigned male at birth, her parents named her Ray. Her birth father disappeared early in her life. 

Rivera’s mother remarried. The marriage was rocky. Rivera’s stepfather threatened to kill Rivera, her mother, and her sister. At twenty-two years of age, her mother committed suicide. 

Rivera was three when she went to live with her grandmother. Her grandmother voiced disapproval of Rivera’s mixed background (Venezuelan and Puerto Rican) and darker skin color. When Rivera began experimenting with clothing and makeup, her grandmother berated and beat Rivera for behavior that was too effeminate for a boy. Her grandmother’s disapproval and beatings increased after Rivera’s step-father took her half-sister away

They shuffled Rivera between her grandmother’s home, Catholic boarding schools, and friends’ homes. She started wearing makeup to school in fourth grade. Bullied and mocked, she was the victim of many playground fights and even school suspensions.

Her uncle had her earn extra money with sex work. It’s no wonder that by the age of eleven, Rivera ran away from home, never to return.

Life On the Streets

In New York City, 42nd Street was “home to a community of drag queens, sex workers, and those who were hustling inside and outside of the gay community of New York in the early 1960s.” Rivera ran from home to this area. Here, a group of young drag queens adopted her. They taught her how to eke out a living with sex work and live on the streets, often changing sleeping location every night. Like many young homeless queer youth and older LGBT people in New York City, Rivera and her friends hung out in places they could feel safe and part of a community. Most of those places were Mafia-run bars.

In 1963, twelve-year-old Rivera met Marsha P. Johnson, an eighteen-year-old, “African American self-identified drag queen and activist battling for inclusion in a movement for gay rights that did not embrace her gender.” Rivera said Johnson was like a mother to her.

Fighting for Transgender People

The Riot

The Stonewall Inn was a gay bar in Greenwich Village in lower Manhattan. It was a place where young men hustled and people from all over the city hung out after work and on weekends. The Inn is famous for being the setting for what’s now known as the Stonewall Inn Riot on June 28, 1929. 

Rivera’s presence and involvement in the Stonewall Inn Riot, like Stormé DeLarverie, is debatable. Some sources quote her as saying she didn’t throw the first Molotov cocktail, but threw the second one. Many sources cite she refused to go home or go to sleep for seven days because she didn’t want to miss a minute of the revolution.

After the Riot, Rivera laid low for a few months. When she heard about newly formed activist groups, such as the Gay Liberation Front (GLF) and the Gay Activists Alliance (GAA), she enthusiastically tried to get involved. But her gender identity troubled the members of those groups. 

Exclusion and Discrimination

The first Pride Parade happened in 1970, but the organizers discouraged trans people, including Rivera, from joining the parade. Rivera was passionate about equal rights for trans individuals but faced relentless discrimination, even from the gay community.  

In 1971, Rivera and Johnson started the Street Transvestite Action Revolutionaries (STAR), a group focused on giving shelter to queer, homeless youth. They hustled the street to rent a building they named Star House. It provided a safe space to discuss transgender issues. They fed, clothed and sheltered “our other kids.” Though short-lived (STAR died by 1973), 19-year-old Rivera was a like mother to those kids. 

Determined, Rivera fought against discrimination. She even attempted, in a dress and heels, to climb through a window into a “closed door council meeting” discussing trans and gay rights. It wasn’t the only time she was arrested, fighting for inclusion.

Discouraged

Finally allowed to take part in the 1973 Gay Pride Parade. Officially, she could not speak. Outraged, she grabbed the mike and said, 

If it wasn’t for the drag queen, there would be no gay liberation movement. We’re the front-liners.” She was booed off the stage. 

Womenshistory.org

She fought for trans inclusion in the GAA’s campaign to pass New York City’s first gay rights bill. (It passed in 1986, disappointingly without including trans individuals’ rights.)

Discouraged by rampant discrimination, Rivera attempted suicide. Johnson brought her to the hospital and helped her get well. After that, Rivera left the city, her activism limited to low-key events in her area.

Return to Activism

Rivera returned to the city in 1992, after Johnson’s body was found floating in the Hudson River. She and the gay rights movement (expanded to include trans and others) reconciled. In 1994, she honored in the 25th Anniversary Stonewall Inn march.

She started Transy House, modeled after STAR, in 1997. 

Her determination remained. “Before I die, I will see our community, given the respect we deserve. I’ll be damned if I’m going to my grave without having the respect this community deserves. I want to go to wherever I go with that in my soul and peacefully say I’ve finally overcome.” She continued working up to her death.

Death

With her partner, Julia Murray, at her side, Rivera died from complications of liver cancer at 50.

Legacy

Recognized after her death, Silvia Rivera has a street bearing her name near the Stonewall Inn in New York City. LGBT community organizations across the country and the world pay tribute to her.  In 2015, they hung Rivera’s portrait in the National Portrait Gallery in Washington, D.C., making her the first transgender activist to be included in the gallery. The Sylvia Rivera Law Project (SRLP) continues her work to secure the rights of gender non-conforming people. And the number of tributes continue to grow.

Rivera experienced abandonment, abuse, homelessness, drug addition, and incarceration. Poor, trans, a drag queen, a person of color, and former sex worker, she embodied “otherness” and fought discrimination her entire life. Metaphorically, she sat at the front of the bus and earned the honorific, the Rosa Parks of the Modern Trans movement.

What did you know about Silvia Rivera before reading this post?


Image Credits

First Image by Dramamonster at English Wikipedia, CC BY-SA 4.0, via Wikimedia Commons

Middle image by Gerd Altmann from Pixabay

Final image by Gotty, Public domain, via Wikimedia Commons

Celebrate Your Creativity

Host J. Alexander Greenwood of the Mysterious Goings On Podcast interviewed me a couple of weeks ago and one of his questions and my response, inspired this post. If you haven’t listened to the podcast, go ahead. I’ll wait… Thanks for listening. Can you guess what inspired this post? It was my last comments about my belief that nearly everyone is creative. And that we, society in the USA, don’t value creativity very much. Even a lot of creative people don’t value their creativity as much as they might, myself included. If that’s true, then what are ways you can value creativity more? Celebrate your creativity.

Image shows a colorful fireworks exploding above a cityscape, we celebrate many things but rarely do we celebrate creativity.

We celebrate birthdays, anniversaries, new jobs, graduations (particularly this time of year), and the purchase of a new house or car. But we rarely celebrate smaller accomplishments. When was the last time you celebrated writing a page of words? Did you celebrate trying a new twist on an old recipe? Or how about the color you painted on the wall? You wrote a piece of coding that did more than the customer asked is a creative solution. Celebrate.

Why Celebrate the Small Creative Wins?

It’s easy to berate ourselves for mistakes or errors and not just call them failures, but label ourselves as failures. Our caveman DNA means we are on the lookout for problems 24/7. But in modern times, when the problem isn’t a saber-toothed tiger wanting to eat you, we sometimes see ourselves as the problem. And when we don’t celebrate the small wins “we end up diminishing our motivation, and motivation is what keeps us on the right path and gives us the strength to soldier on to the top of the mountain.” (lifehack.org)

You can’t acknowledge what you’ve done if you don’t track your progress. Track it in a journal or on the calendar or by scratching off items on a to-do list. Acknowledging what you’ve done helps you see progress, especially in long projects. Celebrating your accomplishments gives you a dopamine hit, which increases your desire to work on the next step to get another hit. Not only that, when you increase your dopamine, you increase your pleasure and your happiness throughout the day. Celebrating the small successes gets us “addicted to progress” because we want to repeat that dopamine hit. We want to feel that pleasure and happiness.

The progress principle: Of all the things that can boost emotions, motivation, and perceptions during a workday, the single most important is making progress in meaningful work. And the more frequently people experience that sense of progress, the more likely they are to be creatively productive in the long run.”

Havard Business Review

We are wired to respond to rewards… it’s another way how our brain works. So those small-step celebrations boost our self-esteem and our self-confidence. When we feel better about ourselves and our projects, our productivity increases.  

The positive psychology research has shown that celebrating the small wins, the small accomplishments, and more frequently has a bigger impact than waiting for that one big thing to celebrate. It keeps you engaged. It helps you to remember that you’re on a path that’s working and you feel good when you get a chance to celebrate the small thing.”

Denise Stromme, University of Minnesota Extension.

How to Reward Yourself

Collage image including an image of one daisy, two star flowers, and a bouquet of pink and purple tulips demonstrating graduated rewards for your creativity.

The trick in rewarding yourself is to make it meaningful, but also to keep it tied to the progress you’re making. 

How do you do that? You create small-step goals. For example, use things you consider rewards, but it would work something like this: a coffee at the end of the week of successes, an hour of television at the end of the month, and a fancy dinner out at the end of the quarter. 

If you have a goal aversion, tie your rewards to your efforts. Three hours of focused work on the project earns a reward. Six hours win a bigger reward, etc. Up the “ante” of your rewards proportional to the amount of effort or work you’ve accomplished. 

Got it? So what do you use for rewards?

Reward Your Creativity

Photograph of a woman silhouetted jumping for joy against a sunrise demonstrating another way to celebrate your creativity.

Your rewards don’t have to cost money. They do have to be specific to you, feel like a reward to you. Still need examples? There are literally thousands of ways you can reward yourself.

  • Raise your arms in triumph and literally jump for joy.
  • Give yourself a gold star. X number of stars and you get a “bigger” reward.
  • Write yourself a note of praise.
  • A cup of your favorite beverage (like coffee or chai latte).
  • A window shopping trip.
  • TA trip to a museum or zoo or a movie.
  • An accessory—jewelry or scarf or fancy belt buckle or shoes.
  • An extra half hour of sleep.
  • A long bubble bath.
  • An extra hour of reading.
  • An hour of watching stupid pet tricks on YouTube. 
  • Watching an episode of your favorite reality show.
  • An extra play date with your kids or pets.
  • An occasional dinner out can be a reward
  • Tickets to the next game played by your favorite local sports team
  • Play a video game or a game of hopscotch.

One caution: don’t reward yourself when you haven’t done the work. That doesn’t mean you can never have a dinner out or play a video game except as a reward. It means be aware of what your “fix” is. If you get addicted to the reward (a glass of wine, or a favorite food—chocolate anyone?), then your focus isn’t on the goal (finishing the painting or the sweater you’re knitting.) 

What happens when you celebrate your creativity? 

You may feel awkward or dismissive of the celebration the first time you celebrate your creative small step. Remind yourself that your creativity is of value to you and to others. You earned the reward because you did something creative. 

Besides feeling better about your creativity, you are giving your creativity positive feedback. And that positive feedback perks your creativity up and leads to another idea and another. So celebrate your creativity. Heck, spread the joy and help another creative celebrate their creativity. Let’s change our corner of the world and teach ourselves and others how to value creativity.

What’s one way you’ll celebrate your creativity today?

The Blessing and Curse of Research and Inspiration

The more you practice creativity, the more you realize the blessing and curse of research and inspiration. It happened again while I was planning and writing my Fellowship Dystopia series. When we left Miranda at the end of My Soul to Keep, she had sworn off shooting to kill and taken to the water to help rescue fugitives from the tyranny of the Fellowship. So I had an obvious place to start book two… on the water. But the inspiration for her yacht, the Lady Angelfish, came from writing a completely different book. 

Blessing and Curse

The blessing and a curse, research and inspiration come hand-in-hand for me. I can dive Marianas Trench deep down some of those research rabbit holes. When I do that, I lose time… days and days… All right, not days, but I definitely lose hours.  

Some of you may have read a sneak peek at another novel I’ve started, Paladina. I needed information about life in Greece told from both natives and non-natives. While researching that, I came across blogs and vlogs of expats living on boats as they explored life outside the U.S. Life abroad and aboard a boat fascinated me. Their blogs gave lots of details about the benefits and challenges of that life. Their vlogs added to those details.

The Great Loop

I ate up those blogs about life on boats, and that led to a revelation. I discovered that there are boaters who take a year-long epic boating adventure in the U.S. They call it the “Great Loop.” 

The Great Loop is the name of a continuous waterway that allows boaters to explore Eastern North America using the Atlantic and Gulf Inter Coastal Waterways, the Great Lakes, Canadian Heritage Canals, and the inland rivers of America’s heartland. Anyone who completes the journey becomes an official ‘Looper.’ Boaters can travel all or part of it.  

The blessing and curse of inspiration hit me when I saw this map of the Great Loop that show the primary and longest route in purple that travels from the great lakes down the Mississippi to the gulf, around florida and up the east coast to the hudson then the great lakes again and a shorter version in green that avoids the Hudson and half the Mississippi.

Research Stretched into Inspiration

You know, with a name like Looper, I was hooked (wordplay intended.) I didn’t know it then, but that the blessing and curse of research and inspiration had hit me for a book I hadn’t even outlined yet. That rabbit’s hole took me on vicarious journeys via blogs and vlogs. Some shook loose memories of short boating trips I took as a kid. And boy, some of those blogs and vlogs were super educational. 

A Little More Research

I learned about locks and I learned the rules of boating etiquette. Previous to my research, I hadn’t thought about who policed the waterways. I learned that, too. (Do you know which U.S. Agency patrols our inland waterways?) I used as much real detail as I could. 

I also researched what size and type of boats travel the Great Loop. Then, I had to factor in the alternate world of the Fellowship Dystopia and determine what Miranda’s boat looked like. Fortunately, there are a ton of online marinas that sell boats with lots and lots of pictures and details. At the time, sYs International Yacht Sales had exactly what I had hoped to find.

Here are a couple more of the photographs I used to help me plan Miranda’s yacht. Some of these details appear in If I Should Die. But for the story, Miranda’s boat has more interior space and a few special features. 

If I Should Die

Image of the cover of If I Should Die on the paperback cover and the ebook on a smart phone. In the background are the red and yellow flames of an explosion.

If I Should Die, is book two of the Fellowship Dystopia, now available for pre-order on AmazonKOBO, and Barnes & Noble. But the clock is ticking on the pre-order period. Order your copy now.

The protagonists from My Soul to Keep, Miranda and Beryl, return two years after their battles in book one. Although the rebels didn’t uproot the tyrannical Fellowship Council, Miranda kept her promise to herself and hadn’t picked up a gun to shoot another person. She’s piloting the Lady Angelfish through the inland waterways of the U.S. and rescuing fugitives from the Fellowship. She never expected to have to make a choice between sister and brother, peace and war.

Over the next few weeks, I’ll give you a taste of locations and characters from book two. You can read If I Should Die as a stand-alone novel, but you’ll enjoy it more if you’ve read My Soul to Keep.

Research and Inspiration

No matter how much research I did, I could not get my poor brain to remember nautical terms. In early drafts, I used port and starboard as if they were interchangeable. SIGH. Inspiration doesn’t mean you don’t have to work at it. To avoid confusion, I kept a cheat sheet beside me during revisions.

If you are a Looper, and you read If I Should Die, know that the book takes place on a very small portion of the Great Loop. I hope I did enough research I didn’t make any glaring errors, but whatever errors I made were mine and mine alone. 

A writer’s life isn’t a comic book. We don’t get cartoon bubbles of lightbulbs above our heads. But we have the blessing and curse of research and inspiration being linked. Linked and a possible “waste of time.” A waste of time that often brings inspiration. 

Had you heard about the Great Loop before? Are you a Looper? Even if you aren’t a Looper, I’d love to hear about your boating or inspiration experiences.